Entertainment
Netflix Removes All of Urvashi Rautela’s Scenes from ‘Daaku Maharaaj,’ Source Claims

However, the promotional poster for the film’s streaming release has raised eyebrows. Although it showcases actors like Bobby Deol, Pragya Jaiswal, and Shraddha Srinath, Urvashi is conspicuously absent, despite her significant role in the film and her active promotion of it. This led to a wave of reactions on social media, with fans expressing confusion and humorously questioning her exclusion from the official poster.
Also Read: Rashmika Mandanna: The box office queen on a record-breaking streak
In response to the outcry, Netflix later shared individual character slides that included Urvashi Rautela’s image twice, seemingly attempting to address the earlier oversight.
Directed by Bobby Kolli, “Daaku Maharaaj” features a star-studded cast, including Rishi, Chandini Chowdary, Pradeep Rawat, Sachin Khedekar, Shine Tom Chacko, Viswant Duddumpudi, Aadukalam Naren, and Ravi Kishan in pivotal roles. The film had its global premiere on January 12, 2025, coinciding with the Sankranti festival.
Interestingly, Rautela played a key role in promoting “Daaku Maharaaj,” frequently highlighting the film’s impressive box office earnings of Rs. 105 crore. However, her involvement in the promotional campaign took a controversial turn when she drew attention for her comments regarding Saif Ali Khan’s stabbing incident. In her remarks, she mentioned luxury gifts, which sparked widespread backlash and criticism.
While she condemned the attack, her display of a diamond-studded watch was perceived by many as tone-deaf, given the seriousness of the situation.
Entertainment
Get Ready for the Laughter! ‘Housefull 5’ Trailer Set to Release on THIS Date

According to a report from Bollywood Hungama, a source revealed some intriguing details about the promotional strategy. “The makers have devised a well-thought-out promotional plan, kicking off a final push ten days before the film’s debut. The trailer will be unveiled on Tuesday, May 27, during a grand event featuring all 19 lead actors. This star-studded occasion promises to be a pivotal moment in the movie’s promotional journey.”
While some have raised concerns about the proximity of the trailer release to the film’s launch, the source affirmed that **Sajid Nadiadwala** has his tactics in place. “The teaser and songs have successfully generated buzz. The teaser hinted at a glamorous cruise setting and teased a chaotic narrative after a murder at sea. The two tracks, **‘Laal Pari’** and **‘Dil E Nadaan’,** showcased the film’s extravagant production values and musical charm. Now, the trailer will reveal what the franchise is renowned for: its rib-tickling comedy.”
After the trailer drops, the promotional efforts will ramp up significantly. “From May 27 onwards, expect relentless promotion. A full-blown **Housefull** mania will take over various platforms. This franchise is the only one in Bollywood to reach its fifth installment, and the entire cast and crew are eager and optimistic about its success.”
Leading the way in **‘Housefull 5’** are **Akshay Kumar, Ritesh Deshmukh,** and **Abhishek Bachchan,** alongside **Jacqueline Fernandez, Sonam Bajwa, Nargis Fakhri, Sanjay Dutt, Jackie Shroff, Nana Patekar,** and **Chitrangada Singh.** Additional talents such as **Fardeen Khan, Chunky Pandey, Johnny Lever, Shreyas Talpade, Dino Morea, Ranjeet, Soundarya Sharma, Nikitin Dheer,** and **Akashdeep Sabir** round out the cast.
The first **‘Housefull’** film, directed by **Sajid Khan**, released in 2010, followed by its sequel two years later. The third installment released in 2016 under **Sajid Samji** and **Farhad Samji**, with **‘Housefull 4’** coming out in 2019. Now, **Tarun Mansukhani** is taking the helm for **‘Housefull 5,’** while **Sajid Nadiadwala** continues to produce the franchise.
Entertainment
Trade Talk: Kesari Veer Falters at the Box Office, While Bhool Chuk Maaf Debuts Strongly

As anticipated, the response to the other two releases, “Kapkapiii” and “Veer Kesari,” has been nearly nonexistent. These films received minimal screenings in multiplexes and have mostly opened to empty theaters.
An unnamed cinema manager from a multiplex in Delhi sadly referred to the two films as non-starters. “They are DOA (dead on arrival). ‘Kapkapiii’ attempts a horror-comedy mix, but it doesn’t compare to ‘Stree.’ The jokes aren’t even funny. As for ‘Veer Kesari,’ simply vilifying one community isn’t enough. The acting is subpar, and the special effects for a war film are remarkably cheap. Today’s audiences are accustomed to the Marvel universe.”
It seems there’s a clear path for “Bhool Chuk Maaf,” marking yet another hit for Rajkummar Rao.
Entertainment
Kajol Visits Dakshineswar Temple and Applauds Operation Sindoor

Currently in Kolkata for the filming of her upcoming movie, *Maa*, Kajol referred to the central government’s response, dubbed Operation Sindoor, as “bold and timely.” She expressed her admiration for the Indian Army, stating, “I salute our soldiers. This is a courageous and necessary action. Terrorists deserve only one punishment — death.”
At the 19th-century temple, constructed in 1855 by philanthropist Rani Rashmoni, Kajol offered prayers, describing her visit as both spiritual and symbolic. She extended her condolences to the families impacted by the Kashmir attack and prayed for the well-being of all Indians. “Maa Bhavatarini and Thakur Ramakrishna have always been significant to me spiritually. It has long been my desire to tread this sacred ground,” she shared, expressing her hopes for peace and prosperity in her family and career.
* Maa,* set to be released later this year, explores spiritual and supernatural themes, with Kajol describing her role as “unique” in her career.
The Dakshineswar temple, situated on the eastern banks of the Hooghly River, is a prominent religious site in eastern India, often visited by artists and celebrities seeking blessings for significant career milestones. Kajol’s visit has resonated with fans, emphasizing her deep-rooted cultural values and spiritual connection, especially ahead of a film focused on metaphysical themes.
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